The project proposes an interpretation of my own image, an image that can be perceived both as a exponent model, but also as an introspective search of whichfinality is defined by the harmonization of the inner world with the outer world, through shape and color.
The self-portrait idea came from the desire to deepen a self-knowledge method and I chose it in a specific way that would represent me. I can say it started from somewhere outside, namely the remarks and comments of others (when I say others, I mean several categories of people); we don't really get to know us only when we look through the eyes of others, when we give importance to perceptions of others regarding our person.
Motto: A colorless drawing is like a body without a soul.(Marco Boschini)
This project is a concern for the historical monuments, a tribute to these unique constructions, in terms of architectural and artistic points of view.
The colossal appearance of these grand constructions, shapes the houselight's identity in a stately as possible way. All the architectural features blend perfectly into a hyperbole of forms, which are highlighted as mechanisms in a whole. The lighthouse seems to be a result of man's vain efforts, aspiring to be closer to divinity. It can be considered a follower of the Tower of Babel, but having a more realistic goal. If personified, then we can also imagine Hercules, who was holding on his shoulders the sky above mortals. Similarly, the lighthouse rises heady assuring the connection between heaven and earth. A protective character depicts it as a secular guardian of time and space, which unflinching, continues it's eternal role.
Motto: When the colors have reached fullness, the drawing is comleted.(Cezanne)
Born in the Plain of Baragan, the cultural project "Vertical Plains" brings together spiritual, christian, historical, art, musical, literary, and traditional archeological values of the Ialomita region.
Somewhere in Bucharest, there is a house on whose walls a piece of nature is reflecting. The cherry blossom is the centerpiece of the mosaic, around which outlines other adjacent components. The motive of this flower is present in many cultures and it reflects a multitude of symbols, including purity, transience, happiness.
